Seismo-Dog Knows All

It often happens that we need to test the strength of a sculpture under the most extreme conditions it will experience. Usually, of course, such conditions simply don’t exist in the “normal” world of the studio, so we need to create them artificially. For a sculpture that will be installed here in San Francisco, the extreme conditions occur in an earthquake, when the sculpture experiences lateral (side-to-side) forces upwards of 1g. (1g is the normal gravitational force pulling down on us all the time).

Recently we needed to test the reaction of some glass and its connections to a 3g sideways force, while also maintaining the normal 1g down force. So first we add the 2 forces: this yields a 3.16g force applied at 18.4 degrees below horizontal. That’s the load we need to apply to the assembly, but how? Strap it to a jet? Build a room-sized shake table?

Enter the Seismo-Dog (so named for its vague, sketchy resemblance to a canine, head out a car window, ears streaming behind it).

Seismodog Knows All

Note the windswept ears.

The Dog is simply a rig to hang the glass from, with extensions on the back (the ears) so that when lying on its back it will be at precisely 18.4 degrees.

The "Seismo-Dog" shown with testing panel in place at specified angle of repose.

With the glass attached and the Dog in repose, gravity already applies 1g of force at the correct angle, so it only remains to add another 2.16 times the mass of the glass (accomplished with sheets of soft lead) and voila! We have our required load at the correct angle.

For proof-testing, the panel is loaded with lead sheets encased in latex jackets for safe handling.

For the record, the glass and the connections weathered the storm without complaint.

About nikolas

Nikolas Weinstein was born in New York City in 1968. His aesthetic derives from a longstanding interest in the natural world. The influence of organic forms in his work dates to a young age, established during internships at The American Museum of Natural History and The Scripps Institution of Oceanography. After graduating college with a degree in comparative literature, he moved to San Francisco, where he briefly worked as an assistant to a prominent graphic designer before founding his studio.
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